Archive for the ‘Haiku & Senryu’ Category

Minding My Haiku

Sunday, April 3rd, 2011

Just a single spark —
all you need to fire up
imagination.

*****

Blaming messenger
heralds avoidance when you
can’t bear the message.

*****

Some thorny problems
can’t be solved by deep thinking
and just need deep sleep.

*****

(Prompts used in this post: making fire from We Write Poems, messenger from Sunday Scribblings, and thorn from Weekend Wordsmith)

Mental Haiku Duet

Sunday, March 27th, 2011

Left brain or right brain —
Which am I? The one, I fear,
that can’t remember.

*****

Creative options
seem nearly unlimited —
overwhelmed, I freeze.

*****

(The 2nd haiku was prompted by Writer’s Island’s unlimited and Sunday Scribblings’ nearly.)

New York Haiku, Legal Haiku, And Tanka Too

Friday, March 25th, 2011

Excited tourists
stop and stare, awed by Times Square —
forget they have feet.

*****

Sleepless, hollow eyes
gaze at legal opinions,
but see student loans.

*****

Windy documents
written to persuade judges —
endless legal briefs.

*****

Libraries, once hushed,
quiet playgrounds of the mind,
kept calm and silent
by strict ground rules, now drown thought
in playground cacophony.

*****

(Thanks for these four prompts: New York, hollow, paradox, and hush. Posted at Monday Memories.)

Update: April 21st is Thank You For Libraries Day.

Orchestrating Haiku

Thursday, March 24th, 2011

Symphony of black,
my uniform for decades —
stage no longer mine.

*****

Harmonics converge
in a dissonant parade
of the marching bands.

*****

(Thanks for the uniform prompt.)

Inseparable From Silliness

Tuesday, March 22nd, 2011

As you can see from this verse, I’m inseparable from silliness:

Inseparable
ventriloquist and dummy
joined at the quip.

Inseparable
honeymooning newlyweds
joined at the lip.

Inseparable
masochist and sadist
joined at the whip.

Inseparable
gambler and his bookie
joined at the tip.

Inseparable
compulsive gambler and debt
joined at the Strip.

Inseparable
the hop and the jump
joined at the skip.

Inseparable
Jewish moms and their children
joined at the guilt trip.

(Written for Writers Island’s inseparable prompt)

Commanding and Demanding (Haiku Quintet)

Thursday, March 17th, 2011

Designing programs
for software business clients —
command performance.

*****

Military gifts
like General Patton’s patch —
commanding presents.

*****

Want satisfaction
when your weapon’s sarcasm?
Pick a smart target.

*****

An unrooted soul
steps on the joy of others
and roots for failure.

*****

Meaningful haiku
that’s smart, breezy, yet mellow —
ticklish challenge.

*****

(Haiku Heights commands prompts us to write haiku using the word command; One Single Impression wants us to be sarcastic; Sensational Haiku Wednesday roots for us to write haiku; and Three Word Wednesday prompts us to use breeze, mellow, and tickle in one fell swoop.)

Aging Musically (Haiku)

Saturday, March 12th, 2011

Nursing nostalgia,
the tribute bands play covers —
relive what wasn’t.

*****

The injured cellist,
forced to bow out of concerts,
retires her bow.

*****

The big bands play swing —
old couples dance joyously,
then reclaim their canes.

*****

Three childhood friendships —
treasured, instrumental —
piano, oboe, flute.

*****

(The first haiku was inspired by Writer’s Island’s tribute theme. The fourth haiku was inspired by Monday Memories’ friendship theme.)

Haunted By Haiku

Wednesday, March 9th, 2011

Warning to those here for their daily dose of “funny.” Most of these aren’t. Sorry!

My passionate hunt
for humor in the mundane—
a chastening quest.

*****

Vulgar temptation
haunts, tantalizes, prevails—
beats dainty retreat.

*****

Passionate and raw
feelings too painful to root
escape on breached wings.

*****

Integrity fights
a war against temptation—
battles to a draw.

*****

A thought tempts, glimmers,
says “explore me,” then wings off—
never to return.

*****

Marching to the beat
of your own drum may work best
in solo parades.

*****

To those who ask me
how I remember my verse—
that’s what blogs are for.

*****

Thanks to these prompts for their inspiration: Carry On Tuesday, Haiku Heights, Haiku Wednesday, LoL Prompts, One Single Impression, Poetic Asides, Sunday Scribblings, and Three Word Wednesday.

Haiku Ode to the Greplin Engine

Saturday, March 5th, 2011

I’ve just discovered a new search engine that, believe it or not, does stuff that Google can’t do. It’s the newly launched Greplin, and you can read all about its young founder Daniel Gross here.

So what’s the big deal about Greplin? It indexes and lets you search stuff that’s stored up in the “cloud.” Things like your Facebook posts, Twitter tweets, G-mail, Google Docs, LinkedIn posts, business applications I’m unfamiliar with, etc.

Let’s take its Facebook interface, for instance. Just put a key word or phrase into its search box and up pops a list of your posts (and your friends’ posts) using that word or phrase. I’m finding it so handy, I even wrote this haiku:

Forecast Not Cloudy
By Madeleine Begun Kane

Greplin’s great engine
is searching what Google can’t,
and I’m on cloud nine.

Hoping For Humor (Sundry Verse)

Thursday, March 3rd, 2011

Today I’ve written four poems on a theme called hope. There’s a pair of quatrains, one haiku, and a limerick — something for everyone, or no one, as the case may be:

Hope springs eternal—
a “truism” some speak.
Yes, hope springs eternal,
until it springs a leak.

*****

Alexander Pope
wrote about hope.
His eternal quote
helps some folks cope.

*****

Showing up to vote—
a yearly exercise in
unrequited hope.

*****

A gal who is often caught moping
And is terribly dreadful at coping
Drives her family mad.
Things have gotten so bad,
That they’re hoping to hear she’s eloping.

*****

(Inspired by Haiku Wednesday’s hope prompt and Poets United quotation prompt. For more optimistic poems see Friday Poetically.)

Tastes and Sounds (Haiku and Tanka)

Wednesday, March 2nd, 2011

Feverish hostess
serves chickpeas dropped on the floor—
a guest spills the beans.

*****

Sick party-goer
coughs and sneezes on buffet—
chilly reception.

*****

The corner bakeshop
seems a buttery temptress,
but smells can deceive.
Pastries seduce, disappoint—
buttery temptress no more.

*****

My first memory:
the sound and the vibration
of a freight train’s roar.
Budding logic says, “Can’t be.”
Sensed pre-birth within the womb?

*****

(My second haiku was inspired by Haiku Heights’ cold prompt. My first memory tanka was inspired by Free Write Fridays and Monday Memories.)

Musical Haiku Quintet

Saturday, February 26th, 2011

String quartet concert
missing one violinist—
time to improvise.

*****

Cruising musician
garners Carnegie Hall gig—
fantasy at sea.

*****

Distracted jazzer
misplaces his melodies—
loses audience.

****

Clueless conductor
hurls baton at oboist—
finally a cue.

*****

Billy Joel said:
We Didn’t Start The Fire.
Maybe we need to.

*****

(My first and third haiku were inspired by The Writer’s Island improvise prompt. My second haiku was inspired by Haiku Wednesday’s fantasy prompt. My late addition 5th haiku was inspired by Sunday Scribblings’ fire prompt.)

Out on a Limb Haiku Quintet

Monday, February 21st, 2011

Though I’m never safe,
his arms always comfort me,
and that must suffice.

*****

Ballroom dancing class—
learning creative ways to
defeat the rumba.

*****

Morning legs dangle
off the bed, as antique joints
brace for their touch down.

*****

Feeling elated—
great, yet dampened by knowing
what’s soon to follow.

*****

Poised atop mirage
of a career, gazing down
at life left behind.

*****

(I wrote the 1st haiku for We Write Poems’ safe prompt; the 4th haiku for Sensational Haiku Wednesday’s elation prompt; and the 5th haiku for One Single Impression’s top prompt and Haiku Heights’ mirage prompt.)

Wintry Haiku Trio

Friday, February 18th, 2011

Nervous newcomer
slips and falls onto deep snow.
Makes bad impression.

*****

Valiant croci
strain to push through snow’s surface.
All retreat but one.

*****

My tossed-aside snow
returns to the cleared sidewalk.
An icy revenge.

(The first haiku is for the Haiku Heights impression prompt and the second one is for I Saw Sunday.)

A Childhood Shadow

Thursday, February 10th, 2011

Poetry prompts can serve up everything from fun inspiration to unsettling memories. For instance, the shadows prompt courtesy of Poets United Thursday Think Tank brought back a wistful early childhood memory of my late father Ernest Begun and Robert Louis Stevenson’s A Child’s Garden of Verses. More specifically, the two of us reciting my favorite childhood poem, My Shadow.

I’m certain that the many hours we spent poring over that Stevenson volume had lots to do with my own versifying. And so, this haiku:

Robert Stevenson’s
I have a little shadow…
My dad’s knee at three.

St. Valentine’s Day Haiku

Tuesday, February 8th, 2011

St. Valentine’s Day,
Okay for loving couples.
Much sweeter for stores.

(My Valentine’s Day limerick and another haiku are here. And here’s my Valiant Guys Guide To Valentines Day humor column.)

My Chances Of Watching TV Are Remote

Wednesday, February 2nd, 2011

This week Big Tent Poetry provides a bunch of word prompts, urging us to use one or more in our poems. I used three of them in my haiku (remote, function, handle) and one in a limerick (remote.)

First, my limerick:

I’m tempted to hide the remote
From my spouse in a closet or coat,
Cuz he flicks ev’ry station
In rapid rotation.
Missing show after show gets my goat.

*****
And now my haiku:

Dysfunctional spouse
Wields remote ADD-style.
Wife can’t handle it.

Finessing Popularity

Thursday, January 27th, 2011

Finesse is the word of the day over at Writers Block Daily. It prompted me to write a limerick and haiku:

Finessing Popularity
By Madeleine Begun Kane

A man with no hint of finesse
Was quite popular. Why? Can you guess?
Neither handsome, nor funny,
The guy sure had money
To spare and was known for largesse.

Finance and finesse
Both begin with the root fin.
End of resemblance?

Eclipse Haiku Septet

Tuesday, December 21st, 2010

My post about haiku and senryu put me in the mood to write more haiku. And what better inspiration than this morning’s extremely rare total lunar eclipse/winter solstice combo!

It’s very cold here in New York. But as my husband sleeps, I’ve been outside watching the eclipse, coming indoors periodically to write some lunar eclipse haiku — a total of seven for a total eclipse:

Here they are:

The lunar eclipse
Is just beginning right now.
Moon’s barely dented.

*****

Bundled up, yet chilled,
I watch moon’s vanishing act.
Quarter’s gone missing.

*****

Icy New York air
Mocks me as I moon eclipse.
Glad cops missed my show.

*****

Ventured out again
As solstice moon wastes away,
Mere shadow of self.

*****

Winds howl in protest,
Demanding that the shy moon
Come out of hiding.

*****

The sky teases us
With a hint of yawning light,
As moon awakens.

*****

Moon stages comeback.
Turns out its retirement
Was only a phase.

Haiku Or Senryu, That Is The Question (A Limerick Explanation)

Monday, December 20th, 2010

Every so often I get missives from poetry purists. Their message? Most of my haiku are by strict definition senryu.

Now I hate to admit it, but these sticklers are technically correct. For while haiku and senryu take the same form — three line, seventeen syllable poems (five-seven-five) — historically their subject matter and attitude differ.

If you’re waxing poetic about the physical world, chances are what you’ve written is a classic haiku. Throw in a seasonal reference, and it’s a haiku slam dunk.

But if your topic is human nature and human foibles, it’s probably best to label your verse a senryu, especially if you’re being satirical.

Confused? Don’t worry — most people find all this perplexing. In fact, there are lots of articles discussing this very question, and they don’t all agree with one another. Which is probably why so many people (like me) tend to take the easy way out and label all of our seventeen syllable masterpieces haiku.

But please don’t throw up your hands in unpoetic bewilderment. My explanation in the form of a three-verse limerick just might help or, at least, amuse you:

Haiku Or Senryu, That Is The Question
By Madeleine Begun Kane

So how do you write a haiku?
And when’s a haiku senryu?
Both are five-seven-five,
But heavens alive—
All their diff’rences cause much ado.

The distinction’s confounding to some.
Don’t confuse them — you might be called “Bum!”
If your verse has unfurled
On the natural world,
Then you’ve followed haiku’s rule of thumb.

But if seventeen syllables speak,
Not of nature, but human critique,
With satirical pearls
Mocking people — guys, girls —
You’ve embarked on a senryu streak.