Posts Tagged ‘Classical Music Humor’

Limerick-Off Monday – Rhyme Word: RACE or ERASE at the end of any one line

Saturday, March 9th, 2019

It’s Limerick-Off time, once again. And that means I write a limerick, and you write your own, using the same rhyme word. Then you post your limerick(s) as a comment to this post and, if you’re a Facebook user, on Facebook too.

I hope you’ll join me in writing limericks using RACE or ERASE at the end of any one line. (Homonyms or homophones are fine.)

The best submission will be crowned Limerick-Off Award Winner. (Here’s last week’s Limerick-Off Award Winner.)

Additionally, you may write themed limericks related to CONDUCTORS, using any rhyme word. And of course I’ll present an extra award — one for the best CONDUCTOR-related limerick.

How will your poems be judged? By meter, rhyme, cleverness, and humor. (If you’re feeling a bit fuzzy about limerick writing rules, here’s my How To Write A Limerick article.)

I’ll announce the winners on March 24, 2019 right before I post the next Limerick-Off. So that gives you two full weeks to submit your clever, polished verse. Your submission deadline is Saturday, March 23, 2019 at 10:00 p.m. (Eastern Time.)

Here’s my limerick:

Though his conduct has been a disgrace,
He’s reformed and he hopes to erase
His transgressions from searches,
Cuz Google besmirches;
He’s harmed by each truth-telling trace.

And here’s my conductor limerick:

When audience members still cheer
A conductor whose meter’s unclear
And whose gestures and cues
Mislead and confuse,
Count on this: He looks cute from the rear.

Please feel free to enter my Limerick-Off by posting your limerick(s) in my comments. And if you’re on Facebook, I hope you’ll join my friends in that same activity on my Facebook Limerick-Off post.

To receive an email alert whenever I post a new Limerick-Off, please email Madkane@MadKane.com Subject: MadKane’s Newsletter. Thanks!

A Plea On International Music Day (Limerick)

Thursday, October 1st, 2015

Happy International Music Day. (October 1)

Dear radio station, don’t pander;
Kindly program your music with candor.
Though I’d rather not carp
And I hate to sound sharp,
Calling “country harp” classical’s slander.

Musical Fictoids

Thursday, April 25th, 2013

One month ago, The Washington Post Style Invitational challenged us to create “fictoids — totally bogus trivia — about music and the music world.” Having worked as an oboist for many years, I couldn’t possibly resist such a contest. So I’m posting all my entries, one of which earned an Honorable Mention.

I’m curious as to which of mine is your favorite. And of course feel free to make up your own musical trivia in my comment section, and to guess which of my musical fictoids won that Honorable Mention. (I reveal my winning fictoid at the end of this post — upside down to make it harder to cheat. :)

Here are my entries:

  • Greedy J.S. Bach descendants tried to patent his Two and Three-Part Inventions.
  • Antonio Vivaldi once sued himself for plagiarism … and won.
  • Ludwig van Beethoven’s “Ode To Joy” (from his Symphony No. 9) was originally entitled “Oy, Oy, Oy.”
  • The world premiere of Verdi’s “Aida” ended in tragedy when the lead soprano accidentally crushed an elephant to death.
  • Female harp players are so loathsome, that shrewish women are now referred to as harpies.
  • For several years during George W. Bush’s presidency, the Dallas Symphony’s concert programs id’ed its brass section as trumpets, trombones, tubas, and Texas shorthorns.
  • Composers George Frideric Handel, Georg Philipp Telemann, Antonio Vivaldi and Johann Sebastian Bach were all so impoverished, they died of starvation. Hence, the name “Baroque composers.”
  • Famed French flautist Jean-Pierre Rampal never appeared on stage without a chilled glass of champagne. That’s why flautists are now known as flutists.
  • Ludwig van Beethoven didn’t actually go deaf; he just pretended to be deaf because his wife and mother-in-law were so annoying.
  • In a 1980 New York Philharmonic April Fools’ Day performance of Mozart’s Concerto for Flute and Harp, flutist Julius Baker and harpist Ursula Holliger played each other’s instruments. The New York Times proclaimed theirs the best ever performance of the work.
  • The Eastman School of Music was known as the Polaroid School of Music, until Kodak’s George Eastman won it in poker game.

And my Honorable Mention-winning entry is:

˙ɥʇɐǝp oʇ ʇuɐɥdǝןǝ uɐ pǝɥsnɹɔ ʎןןɐʇuǝpıɔɔɐ ouɐɹdos pɐǝן ǝɥʇ uǝɥʍ ʎpǝƃɐɹʇ uı pǝpuǝ ”ɐpıɐ“ s’ıpɹǝʌ ɟo ǝɹǝıɯǝɹd pןɹoʍ ǝɥʇ

Musical Haiku Quintet

Saturday, February 26th, 2011

String quartet concert
missing one violinist—
time to improvise.

*****

Cruising musician
garners Carnegie Hall gig—
fantasy at sea.

*****

Distracted jazzer
misplaces his melodies—
loses audience.

****

Clueless conductor
hurls baton at oboist—
finally a cue.

*****

Billy Joel said:
We Didn’t Start The Fire.
Maybe we need to.

*****

(My first and third haiku were inspired by The Writer’s Island improvise prompt. My second haiku was inspired by Haiku Wednesday’s fantasy prompt. My late addition 5th haiku was inspired by Sunday Scribblings’ fire prompt.)

Bach! Humbug!

Monday, September 10th, 2007

It’s time for some silly classical music punning.  (Fortunately, the tale told in this limerick never really happened.)

Bach! Humbug!
By Madeleine Begun Kane

“Your CD collection’s a joke,
And classical sucks,” yelled the bloke.
My discs couldn’t handle
This rampaging vandal:
Now all of my Bach sets are broke.